Selection of online publications in English

• Bouchardon, S., Cros, I., Fülöp, E. & Renaud, S. (2024). « BⱯBEL RËVOLUㅏION: Streams of Biocultural Diversity in a Participatory Narrative », in Murray, J. & Reyes, M. C. (eds), Interactive Storytelling, 17th International Conference on Interactive Digital Storytelling (ICIDS 2024, Best Short Paper), 2-6 décembre 2024, Barranquilla, Colombie, Springer Editions, vol.1, 210-223, https://www.utc.fr/~bouchard/articles/BABEL_ICIDS_2024.pdf
• Bouchardon S., Fülöp E. (2022). « Digital Narrative and Experience of Time », Electronic Book Review, février 2022, https://electronicbookreview.com/essay/digital-narrative-and-experience-of-time/
• Bouchardon, S., Meza, N. (2021). « Translating a work of digital literature into several languages: a case study», Hybrid, https://hybrid.univ-paris8.fr/lodel/index.php?id=1491
• Bouchardon, S. (2020). “StoryFace: playing with the normalization of facial emotions”, in Bown, R. et Salisbury, B. (eds.), The Expression of Emotions in Humans and Technology, Carnegie Mellon ETC Press, 41-48, https://press.etc.cmu.edu/index.php/product/the-art-exhibit-at-icids-2019-art-book/
• Bouchardon, S. (2020). “fred, a gestural story”, in Bown, R. and Salisbury, B. (eds.), The Expression of Emotions in Humans and Technology, Carnegie Mellon ETC Press, 79-88, https://press.etc.cmu.edu/index.php/product/the-art-exhibit-at-icids-2019-art-book/
• Mayer, A., Bouchardon, S. (2020). “The Digital Subject: From Narrative Identity to Poetic Identity?”, Electronic Book Review, May 2020, https://electronicbookreview.com/essay/the-digital-subject-from-narrative-identity-to-poetic-identity/
• Bouchardon, S., Petit, V. (2019). “Digital writing: philosophical and pedagogical issues”, Electronic Book Review, October 2019, http://electronicbookreview.com/essay/digital-writing-philosophical-and-pedagogical-issues/
• Bouchardon, S., Brunel, M. (2019). “Exploring Didactic and Literary Approaches to the Introduction of Digital Literature in French High Schools”, Journal of Comparative Literature and Aesthetics, volume 42, n°4, 49-62, http://jcla.in/wp-content/uploads/2020/10/JCLA-42.4_E-Lit_Serge-Bouchardon.pdf
• Bouchardon S. (2019). “Mind the gap! 10 gaps for digital literature?”, Electronic Book Review, May 2019, http://electronicbookreview.com/essay/mind-the-gap-10-gaps-for-digital-literature/
• Bouchardon, S. (2018). “Towards Gestural Specificity in Digital Literature”, Electronic Book Review, December 2018, http://electronicbookreview.com/essay/towards-gestural-specificity-in-digital-literature/
• Bouchardon, S. (2016). “Towards a tension-based definition of Digital Literature”, Journal of Creative Writing Studies, Vol. 2: Issue 1, ISSN 2474-2937, http://scholarworks.rit.edu/jcws/vol2/iss1/6
• Bouchardon, S., Bachimont, B. (2013). “Preservation of digital literature: from stored memory to reinvented memory”, Cibertextualidades N°5, 184-202, http://cibertextualidades.ufp.edu.pt/numero-5-2013/electronic-publishing-models-for-experimental-literature
• Bouchardon, S. (2012). “Digital Literature in France”, Dichtung Digital N°41, ISSN 1617-6901, http://www.dichtung-digital.de/en/journal/archiv/?postID=233
• Bouchardon, S., Heckman, D. (2012). “Digital Manipulability and Digital Literature”, Electronic Book Review, ISSN 1553 1139, August 2012, http://www.electronicbookreview.com/thread/electropoetics/heuristic
• Bouchardon, S., Lopez-Varela Azcarate, A. (2011). “Making Sense of the Digital as Embodied Experience”, CLCWeb: Comparative Literature and Culture. Vol.13 n°3, September 2011. ISSN 1481-4374, https://docs.lib.purdue.edu/clcweb/vol13/iss3/7/